Concerto Trio Su&Lo – Casa de cultura Aiete – February 2017
Concierto al órgano monumental Cabanilles de la Companía de Jesús en Valencia.
Órgano de 4 teclados manuales (56 notas) y pedalier (30 notas). Tracción mecánica y 74 registros.
Fue construido por el taller G. Blancafort entre los años 1982 y 2002.
Concierto en Tabakalera,
A modo de preludio de la inauguración de la exposición Estimulantes: Circulación y Euforia comenzará con una colaboración con la Orquesta Sinfónica de Euskadi. Un conjunto de cámara interpretará Schweigt Stille, Plaudert Nicht, BWV 211 “Cantata del Café” o, en su versión original “Silencio, no habléis”, una de las obras las obras más logradas de Johann Sebastian Bach en el campo de la música profana y en la que el compositor expone su amor por el café.
Konzert – Stavanger Concert Hall – Februar 2017
The Sydney Organ Journal give an excellent review of Loreto Aramendi double CD
We are very happy to receive these great review from „The Sydney Organ Journal“, Australy.
Loreto Aramendi’s 2014 double-CD recording on the Cavaille-Coll Organ of Santa Maria San Sebastian is a fine example of absolute musicianship, sound technique and utter command over the instrument.[…] Cesar Franck‘ s Prelude, Fugue and Variations along with Piece Heraque also feature on the recording. Aramendi’s rendition of these works remains faithful to the musical score with accurate execution and ‚lyrical‘ playing of the haunting melodies of Franck. […] Aramendi captures the full essence of the Brahms‘ Choral Preludes, full of emotion and expressive quality. […] Aramendi uses the San Maria organ to its capacity using almost every single stop combination. She delivers a striking performance that rings through the entire Basilica throughout the marathon of a work. Overall this is a very sound recording with accurate yet exciting playing on the stunning Cavaille-Coll instrument.
Sydney Organ Journal. Vol 47, nº4 – Spring 2016. page 45 by Gareth Baard.
COMPLETE REVIEW >>>Review by „The Sydney Organ Journal“ – September 2016 2cds Loreto Aramendi <<<
Review by The Sydney Organ Journal
Loreto Aramendi spielt F. Liszt, C. Franck, Ch. Tournemire und J. Brahms im Grand Orgue Aristide Cavaillé-Coll (1863) der Basilika Santa María del Coro von San Sebastien (Baskenland – Spanien).
Umschlag CD PipeOrgan Cavaillé-Coll – Loreto Aramendi
Dauer: 1h22 ‚.
Preis: 18 € (Versand nicht inbegriffen).
Schon verfügbar.
Sofortiger Versand per Luftpost (max. 6-8 Tage Lieferzeit).
**** 4 stars – « Very recommendable indeed ».
« This is a splendid recording » [..] « It is clear that Loreto Aramendi is a very special player performing on an outstanding instrument » [..] « Aramendi’s total command of the instrument makes these two CDs worthy of special praise »
« Exemplary nature of playing » [..] « Playing and interpretation of a very high standard thanks to the performer’s stunning technique and her command of the registrational complexities of both the organ and the composition »
__Organists’ Review – December 2016 by David Baker.
« a fine example of absolute musicianship, sound technique and utter command over the instrument. »[…] «Cesar Franck‘ s Prelude, Fugue and Variations along with Piece Heroique also feature on the recording. Aramendi’s rendition of these works remains faithful to the musical score with accurate execution and ‚lyrical‘ playing of the haunting melodies of Franck.» […] «Aramendi captures the full essence of the Brahms‘ Choral Preludes, full of emotion and expressive quality.» […] «Aramendi uses the Santa Maria organ to its capacity using almost every single stop combination. She delivers a striking performance that rings through the entire Basilica throughout the marathon of a work. Overall this is a very sound recording with accurate yet exciting playing on the stunning Cavaille-Coll instrument.»
__Sydney Organ Journal. Vol 47, nº4 – Spring 2016. page 45 by Gareth Baard.
Beschreibung:
Granted by the ENRIQUE LARTUNDO fundings.
CD1
Improvisation de 1930 retranscrite en 1958 par Maurice Duruflé – Charles Tournemire (1870-1939)
1 – Choral – Improvisation on « Victimae paschali » 9’43“
Extract de « Six Pièces » Prélude, Fugue et Variation – 1862 – César Franck (1822-1890)
2 – Prélude : Andantino 3’34“
3 – Lent – Fugue : Allegro ma non troppo 3’52“
4 – Variation : Andantino 3’32“
Prélude et Fugue en sol mineur – 1857 – Johannes Brahms (1833-1897)
5 – Prélude : Allegro di molto 3’55“
6 – Fugue : Tempo giusto 4’29“
Extrait de «Trois Pièces » – 1878 – César Franck (1822-1890)
7 – Pièce Héroïque 8’27“
Extraits des 11 Préludes de Coral – 1896 – Johannes Brahms (1833-1897)
8 – Herzlich tut mich verlangen 4’28“
9 – O Welt, ich muss dich lassen 3’29“
10 – Herzlich tut mich erfreuen 3’38“
CD2
Fantaisie et Fugue sur le choral « Ad nos, ad salutarem undam » – 1850 – Franz Liszt (1811-1886)
11 – Moderato- Allegro – Vivace 10’44“
12 – Adagio 8’43“
13 – Adagio – Allegro deciso – Fugue : Allegretto con moto – Adagio 12’43“
Concert a the Quoirin (2009) pipe organ – Sanary sur mer (FR) – December 2016
Description: https://www.atelier-quoirin.com/Sanary.php
Concert – Église de La Madeleine – Bordeaux – Décembre 2016
Concert at the Amezua pipe organ – Hernani – December 2016
Concert at Internaional Pipe Organ Festival of Torino – Italy – November 2016
Concert inter-cultural at the Cavaillé-Coll (1877) organ – Irun – October 2016
Music amongst friends – Basilique of Santa María del Coro – San Sebastian – October 2016 with Ana Salaberria, Pedro Miguel Aguinaga, Loreto Aramendi and Eli Arabaolaza.
Closing concert of the 39th edition of the „City of Teruel“ Organ series
Concert at the Acitores organ (2013) – Orio – September 2016
